{"id":294644,"date":"2014-05-23T23:41:25","date_gmt":"2014-05-23T23:41:25","guid":{"rendered":"http:\/\/legacy-k2-j25-6823"},"modified":"2026-03-28T15:45:50","modified_gmt":"2026-03-28T21:45:50","slug":"las-favoritas-para-la-palma-de-oro-en-cannes-k2-6823","status":"publish","type":"post","link":"https:\/\/www.pueblaonline.com.mx\/archivo\/2014\/puebla\/las-favoritas-para-la-palma-de-oro-en-cannes-k2-6823\/294644\/","title":{"rendered":"Las favoritas para la Palma de Oro en Cannes"},"content":{"rendered":"<p class=\"MsoNormal\">Conoce las 18 pel\u00edculas compiten por la Palma de oro que se otorgar\u00e1 al cierre del 67\u00ba Festival de Cannes<\/p>\n<p class=\"MsoNormal\"><span style=\"line-height: 1.3em\">La secci\u00f3n oficial del Festival de Cannes lleg\u00f3 a su fin este viernes sin que se entrevea una favorita clara para la Palma de Oro. En el ranking de la cr\u00edtica internacional, aparecen tres t\u00edtulos destacados: &#8220;Adieu au langage&#8221; de Jean-Luc Godard, la pel\u00edcula m\u00e1s arriesgada y heterodoxa de la competici\u00f3n; &#8220;Winter Sleep&#8221;, el monumental filme turco de Nuri Bilge Ceylan que se sumerge en la crisis de una pareja en el coraz\u00f3n de la Capadocia; y &#8220;Deux jours, une nuit&#8221; de los hermanos Dardenne.<\/span><\/p>\n<p class=\"MsoNormal\">Conoce las 18 pel\u00edculas compiten por la Palma de oro que se otorgar\u00e1 al cierre del 67\u00ba Festival de Cannes:<\/p>\n<p class=\"MsoNormal\">&#8211; <strong>&#8220;Sils Maria&#8221;, de Olivier Assayas (Francia)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Clouds of Sils Maria (2014): Trailer subtitulado espa\u00f1ol (filmicas.com)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/ncHgAJycRpE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">&#8211; <strong>&#8220;Saint Laurent&#8221;, de Bertrand Bonello (Francia)<\/strong><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\"><\/p>\n<p><iframe loading=\"lazy\" title=\"Yves Saint Laurent- Official Trailer- HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-ec-DQ_7EUM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><\/span><\/p>\n<p class=\"MsoNormal\">&#8211; <strong>&#8220;Kis Uykusu&#8221; (&#8220;Sue\u00f1o de invierno&#8221;), de Nuri Bilge Ceylan (Turqu\u00eda)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"K\u0131\u015f Uykusu (Winter Sleep) Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/B1pu28BBntI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">&#8211; &#8220;Maps to the stars&#8221;, de David Cronenberg (Canad\u00e1)<\/span><\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Deux jours, une nuit&#8221; (&#8220;Dos d\u00edas, una noche&#8221;) de Jean-Pierre y Luc Dardenne (B\u00e9lgica)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Mommy&#8221;, de Xavier Dolan (Canad\u00e1)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Captives&#8221; (Cautivas) de Atom Egoyan (Canad\u00e1)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Adieu au langage&#8221; (&#8220;Adi\u00f3s al lenguaje&#8221;) de Jean-Luc Godard (Francia-Suiza)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;The search&#8221; (&#8220;La b\u00fasqueda&#8221;) de Michel Hazanavicius (Francia)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;The homesman&#8221;, de Tommy Lee Jones (EEUU)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Futatsume no mado&#8221;, de Naomi Kawase (Jap\u00f3n)<\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">&#8211; &#8220;Mr Turner&#8221;, de Mike Leigh (Gran Breta\u00f1a)<\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">&#8211; &#8220;Jimmy&#8217;s hall&#8221;, de Ken Loach (Gran Breta\u00f1a)<\/span><\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Foxcatcher&#8221;, de Bennett Miller (EEUU)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Le Meraviglie&#8221; (&#8220;Las maravillas&#8221;), de Alice Rohrwacher (Italia)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Relatos salvajes&#8221;, de Damian Szifron (Argentina)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Timbuktu&#8221;, de Abderrahmane Sissako (Mauritania)<\/p>\n<p class=\"MsoNormal\">&#8211; &#8220;Leviat\u00e1n&#8221;, de Andrey Zvyagintsev (Rusia)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conoce las 18 pel\u00edculas compiten por la Palma de oro que se otorgar\u00e1 al cierre del 67\u00ba Festival de Cannes La secci\u00f3n oficial del Festival de Cannes lleg\u00f3 a su fin este viernes sin que se entrevea una favorita clara para la Palma de Oro. En el ranking de la cr\u00edtica internacional, aparecen tres t\u00edtulos [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":323284,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[104],"tags":[],"class_list":["post-294644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-puebla","entry"],"_links":{"self":[{"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/posts\/294644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/comments?post=294644"}],"version-history":[{"count":5,"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/posts\/294644\/revisions"}],"predecessor-version":[{"id":440129,"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/posts\/294644\/revisions\/440129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/media\/323284"}],"wp:attachment":[{"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/media?parent=294644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/categories?post=294644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pueblaonline.com.mx\/archivo\/wp-json\/wp\/v2\/tags?post=294644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}